As a work of cinematic art, "As Bestas" joins the ranks of Sorogoyen's previous films, such as "Tengo ganas de ti" (2012) and "Stockholm" (2013), cementing his reputation as one of the most innovative and fearless filmmakers working today. For audiences willing to confront the beasts within, "As Bestas" offers a visceral, unforgettable experience that will linger long after the credits roll.
The film's use of hunting as a metaphor for the human condition is particularly striking. As the characters stalk their prey, they are, in effect, stalking their own darker selves, confronting the beasts within. This struggle is echoed in the film's score, composed by Julio de la Rosa, which seamlessly blends diegetic and non-diegetic sound to create an unnerving sense of unease. as bestas rodrigo sorogoyen
Through "As Bestas," Sorogoyen poses fundamental questions about the human condition, encouraging viewers to confront the duality of their own nature. The film's title, which translates to "The Beasts," is a deliberate reference to the idea that, beneath the veneer of civility, lies a primal, bestial essence waiting to be unleashed. As a work of cinematic art, "As Bestas"